"[differentiating] between seeing from the inside and seeing from the outside"). Directed by a wonderful guide with a calming voice, I was led through a snaky unlit corridor into a pitch black room and asked to sit down. After what seemed like a few minutes of staring into complete nothingness, my eyes adjusted to focus on a faint glow far off in the distance. Contemplative yet still unnerving, the experience allowed me to focus on how my eyes adjust to the environment around me.
The last work I experienced was Breathing Light (2013), an entire room. In fact, you need to line up in an external corridor, then wait in a corral area, and then ritualistically enter the temple to light that is the work. It's a Ganzfeld--the German term for "entire field"--where being inside the space deprives you of all clues as to any sense of direction or depth. In comparison to the other two immersive works, Breathing Light was extremely calming and peaceful. Having experienced an afternoon of Turrell, I was reminded that Alain de Botton commented in Art as Therapy that Turrell is a "choreographer of experience [we] might have" and not a recorder of an experiences he once had. And master choreographer he most certainly is.
All images (except Meeting) by Florian Holzherr, courtesy of LACMA
All works © James Turrell