find me:
WHYMSY: Curious musings about the arts & sometimes art law
  • About
  • Blog
  • Contact
  • News and Publications

I See the Body (of Light) Electric: James Turrell at LACMA

1/23/2014

0 Comments

 
PictureAfrum (White) (1966)
James Turrell: A Retrospective at The Los Angeles County Museum of Art is an expansive show featuring works by James Turrell from over five decades.  Using a variety of techniques, Turrell has attempted to elucidate the "seeing that occurs within"; in creating an environment where reality collaborates with the visitor's subjective perception, what Turrell refers to as the "thing-ness of light…itself becomes a revelation."  LACMA's show spans light projections (such as Cross Corner Projections where Turrell projects light onto corners creating the semblance of objects, Space Division Constructions where light creates a sense of surface across an actual opening, and Wedgeworks that use architecture to frame light), prints, drawings and models of his Roden Crater project, holograms, as well as immersive environments.  I had the wonderful opportunity to experience three immersive environments (Light Reignfall, Dark Matters and Breathing Light)--each contemplative, revelatory and mind-blowing in their own ways.

Light Reignfall (2011) is essentially akin to an Aten Reign (2013) on fast forward for one.  Not for claustrophobes, the work is from the Perceptual Cell series, which are enclosed structures that provide single-viewer experiences.  From the outside, the structure looks like a globular MRI apparatus.  A white lab-coated attendant asked me to choose between a "hard" or "soft" program (I chose the former), and handed me a very detailed (but extremely comprehensive and well-written!) waiver to sign.  Having taken my shoes and spectacles off, and given a "panic" button lanyard and headphones, I was slid into the chamber.  In the next 12 minutes, a light program enfolded before my eyes, while a constant noise emanated through the headphones.  I initially panicked, as I perceived the intensely hued blankets of light layer onto my eyes like multi-colored blindfolds.  Eventually, however, I settled into letting the pulsating light wash over me.  While I kept my eyes open at all times, the experience of seeing in the Perceptual Cell was similar to the experience of closing one's eyes really tightly and seeing colorful bursts--a phenomenon that is apparently known as phosphenes.  Strangely enough, the experience felt extremely short, and of course, singular and unique.  
Picture
Light Reignfall (2011), installation view at Garage Center for Contemporary Culture
After coming out of Light Reignfall, I experienced an entirely different kind of perception experiment through Dark Matters (2011).  This work is from Turrell's Dark Space series (which Turrell describes as facilitating the difficulty of 
"[differentiating] between seeing from the inside and seeing from the outside").  Directed by a wonderful guide with a calming voice, I was led through a snaky unlit corridor into a pitch black room and asked to sit down.  After what seemed like a few minutes of staring into complete nothingness, my eyes adjusted to focus on a faint glow far off in the distance.   Contemplative yet still unnerving, the experience allowed me to focus on how my eyes adjust to the environment around me.

The last work I experienced was Breathing Light (2013), an entire room.  In fact, you need to line up in an external corridor, then wait in a corral area, and then ritualistically enter the temple to light that is the work.  It's a Ganzfeld--the German term for "entire field"--where being inside the space deprives you of all clues as to any sense of direction or depth.  In comparison to the other two immersive works, Breathing Light was extremely calming and peaceful.  Having experienced an afternoon of Turrell, I was reminded that Alain de Botton commented in Art as Therapy that Turrell is a "choreographer of experience [we] might have" and not a recorder of an experiences he once had.  And master choreographer he most certainly is.
I was reminded that one of Turrell's Skyscapes is installed very close to home.  Open during certain afternoons, it's Meeting (1978), created in MoMA PS1 since 1986.  A parting image from my experience of the work in 2012:
Picture
Summer sky seen through Meeting (1978), MoMA PS1 in 2012
James Turrell: A Retrospective is on view at LACMA until April 6, 2014.

All images (except Meeting) by Florian Holzherr, courtesy of LACMA
All works © James Turrell
0 Comments



Leave a Reply.

    Enter your email address:

    Delivered by FeedBurner


    Yayoi Shionoiri

    Things that hit my radar and stick include: art that has a legal component; law affecting art; and art world happenings in NYC

    Categories

    All
    Architecture
    Art Law
    Arts And Crafts
    Art Tour
    Conceptual Art
    Conceptual Art
    Contemporary Art
    Contemporary Art
    Facts
    Fashion
    Installation
    Live Process
    Mysterabbit
    Painting
    Participatory
    Photography
    Public Art
    Sculpture
    Studio Tour
    Works On Paper

    Archives

    March 2015
    January 2015
    December 2014
    November 2014
    October 2014
    July 2014
    June 2014
    May 2014
    April 2014
    March 2014
    February 2014
    January 2014
    December 2013
    November 2013
    October 2013
    September 2013
    August 2013

    RSS Feed

All views expressed are my own.
(C) Yayoi Shionoiri 2017